EINSTURZENDE NEUBAUTEN - PERPETUUM MOBILE (CD, 2004)
Genre: Industrial / Pop
Place of purchase: Slow Boat Records, Wellington
Why I bought this: Searching for the avant-garde
German industrial noisemakers Einsturzende Neubauten carry a formidable reputation for extremism. So why is this record so boring? Opener Ich Gehe Jetzt makes for a magnificently droll and moody beginning, as if Welsh popsters Young Marble Giants had grown up in a steel factory rather than a coalmine. But over time, the marriage of industrial materials with 'songs' on Perpetuum Mobile sounds too deliberate. The record is bogged down by the consistently low/mid-paced tempo, and Blixa Bargeld's vocals methodically. spell. out. each. word. The cd itself is magnificently packaged with the lyrics in German and English, colour pictures of the group and a double cd-sized package; but somehow, like the music, it's all too formal, too designed.
While some Neubauten traditionalists no doubt wish their heroes were back to their roots sawing bridges in half, I suggest a more radical step; the West End.
Neubauten - The Musical begins with a pantomine Zorro tip-toeing round a corner, putting his finger to his lips, looking at the audience and going Sssshhh! Pretty soon, lone Panto-Zorro is joined onstage by 30 more Panto-Zorro's, all walking round corners and going Sssshhh! Then Blixa Bargeld is lowered from the ceiling in one of those hanging 70s wicker chairs with a giant oversized book in his lap, kind of like a gothic Ronnie Corbett. Just as BB raises his finger to go Ssshh! the rope breaks and he falls through a trapdoor into a cellar. The 30 Panto-Zorro's pause. After about 15 seconds we hear Blixa Corbett go Sssshhh! from his cellar, and off go the Panto Zorro's, walking round corners, etc...
SHOSTAKOVICH - LENINGRAD SYMPHONY (as performed by the Bournemouth Symphony Orchestra, LP, 1974)
Genre: Classical
Place of purchase: Wellington Public Library sale
Why I bought this: Attempting to 'get' Classical
Wouldn't it be fantastic to enjoy classical music? (Ba-Dom-Tsh!!!)
Well, I think so... just the record collector in me gets all hot 'n bothered thinking of all those 2nd hand LP's in the sale bins, and all going dirt cheap because the owners have switched allegiances to Rare Groove.
But what do I know? I've been too lazy to get around to listening to the small Classical collection I have. Listening to Mr Shostakovich now, an avalanche of surface scratches, crackling and pop make it virtually unlistenable. I fear my entry into the Classical world is to be further delayed.
My reluctance to play this LP over the years may be explained by a distant memory of a sleepwalking flatmate pissing in the fireplace next to it. No doubt it's much-loved past this contributed to it's 'withdrawn' status from the Wellington Public Library. Either that or someone pissed on it there, too.
THE BEAR FLEW OVER THE OCEAN - JIMMIE DRIFTWOOD (7", 1959)
Genre: Pop
Place of purchase: Salvation Army Thrift Shop
Why I bought this: The title
On first listen this 45rpm disc has a rollicking idiocy that fills me with glee. "Oh, The Bear Flew Over The Ocean! The Bear Flew Over The Ocean! The Bear Flew Over The Ocean to see what he could see!"
Unfortunately the Bear in question is USSR President Khrushchev on a visit to the USA. "Big Bear go back and tell them that all our people are free". I just wanted a song about a flying bear. Is that too much to ask? In it's favour, Jimmie's video takes an impressively literal approach to evoking the reality of life behind the Iron Curtain.
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